Your Kitchen #1 
6"x6" c-print, 2002

Your House

This series expanded up my understanding of photography; the history and rank of the medium that would transform the way I understand perception and reality. I was making photographs that dealt with a very literal deception; making an image with the intention of the viewer accepting it as reality: as a real-life place. I could convince you that this was a real, life-size place and was careful not to leave any clues otherwise. I was also building a platform, a topic of discussion that would continue through my work until this day--the family, as a unit, a structure and an idea.

© Paul Sobota 2009

Your Kitchen #4 
6"x6" c-print, 2002

Your House

This series expanded up my understanding of photography; the history and rank of the medium that would transform the way I understand perception and reality. I was making photographs that dealt with a very literal deception; making an image with the intention of the viewer accepting it as reality: as a real-life place. I could convince you that this was a real, life-size place and was careful not to leave any clues otherwise. I was also building a platform, a topic of discussion that would continue through my work until this day--the family, as a unit, a structure and an idea.

© Paul Sobota 2009

Your Kitchen Chair 
6"x6" c-print, 2002

Your House

This series expanded up my understanding of photography; the history and rank of the medium that would transform the way I understand perception and reality. I was making photographs that dealt with a very literal deception; making an image with the intention of the viewer accepting it as reality: as a real-life place. I could convince you that this was a real, life-size place and was careful not to leave any clues otherwise. I was also building a platform, a topic of discussion that would continue through my work until this day--the family, as a unit, a structure and an idea.

© Paul Sobota 2009

Your Garage #1 
6"x6" c-print, 2003

Your House

This series expanded up my understanding of photography; the history and rank of the medium that would transform the way I understand perception and reality. I was making photographs that dealt with a very literal deception; making an image with the intention of the viewer accepting it as reality: as a real-life place. I could convince you that this was a real, life-size place and was careful not to leave any clues otherwise. I was also building a platform, a topic of discussion that would continue through my work until this day--the family, as a unit, a structure and an idea.

© Paul Sobota 2009